Unveiling
I recycle deconstructed paintings to examine objective versus subjective states of persona, emotions, and memory. The original composites include raw pigments, dyes, ink, gesso, pumice, paste, glaze, handmade paper, mylar and canvas. Photographed and digitally manipulated by both choice and chance, the “real” image of origin is unknown. Set in loops measuring 12 second human attention spans, each capture speaks to a temporary yet infinite emotional frequency.
2020-ongoing. Full screen high-definition streaming optimal. Video projection loops, dimensions variable. Some videos have flashing lights and patterned motion effects.