Drawing shows orientation isn’t planned in advance—it emerges in real time. Each mark carries direction, each gesture recalibrates relation. What seems provisional is the most accurate record of presence.

Orientation is not prescribed but generated. A line sets relation, a mark recalibrates, a curve shifts the field. Drawing reveals clarity as responsiveness, not certainty.

What happens when you let sensation remain as it is, without collapsing it into language too soon. Drawing becomes a way of honoring the immediacy of experience: precise, unfiltered, and intact.